விஸ்வரூபத்தின் ஒரிஜினல் ஹாலிவுட் படம்

கமல் இன் விஸ்வரூபம் தமிழகம் தவிர அனைத்து இடங்களிலும் வெளியாகி வெற்றிகரமாக ஓடிட்டு இருக்கு . ட்விட்டர் நண்பர் mayavee ‏@NaAnMayavee  சொன்ன தகவல் இது . ஹாலிவுட் படத்தின் 60 % காப்பியாம். அவர் 2 படங்களையும் பார்த்துட்டாராம்.

Traitor (2008)

1. Samir Horn is a former soldier, a devout Muslim, and U.S. citizen in the Middle East selling bomb detonators to Islamic radicals. He joins their cause as both the FBI and a rogue CIA agent track him. Horn escapes a Yemeni prison, goes underground in France where he proves his abilities, and is sent to the United States to choreograph a simultaneous and multiple terror attack. Will the intelligence agencies talk to each other, and can Horn be stopped

Directed by	Jeffrey Nachmanoff
Produced by	Don Cheadle David Hoberman Todd Lieberman Jeff Silver Ashok Amritraj Arlene Gibbs Kay Lieberman Steve Martin Richard Schlesinger
Screenplay by	Jeffrey Nachmanoff
Story by	Steve Martin
Starring	Don Cheadle Guy Pearce
Music by	Mark Kilian
Cinematography	J. Michael Muro
Editing by	Billy Fox
Studio	Overture Films Mandeville Films Hyde Park Entertainment Crescendo Productions
Distributed by	Overture Films (US) Paramount Pictures (Australia/Netherlands/France)
Release date(s)	August 27, 2008
Running time	114 minutes
Country	United States
Language	English Arabic
Budget	$22 million
Box office	$27,640,957 [1]

 

2. Samir Horn (Don Cheadle) is an Arabic-speaking Sudanese-American and devout Muslim. His Sudanese Druze father was killed by a car bomb when he was a child. As an adult, Horn is first seen operating as an arms dealer. While negotiating a deal with Omar (Saïd Taghmaoui) in Yemen he is arrested and thrown into a Yemeni jail. Later, Samir and Omar become friends and when Omar's people arrange an escape, he takes Samir with them.

Joining the Islamic Brotherhood, Samir uses the skills he learned as a Special Forces Engineer Sergeant with the U.S. Army Special Forces to bomb the U.S. consulate in Nice, France. The group then devises a plot to place suicide bombers on 50 buses in the U.S. during Thanksgiving. Meanwhile, in London, the Islamic Brotherhood finds out Fareed is being targeted by the FBI and he escapes by a source in the FBI headquarters. It is revealed that Samir is working under deep cover for an intelligence contractor, Carter (Jeff Daniels), with the United States government against terrorism. The FBI agents pursuing him don't know this, and Carter is killed by Omar.

 

Meanwhile, FBI Special Agent Roy Clayton (Pearce) pursues Samir through numerous countries, resulting in their final confrontation in Halifax, Nova Scotia, Canada. While on board a cargo ship to Marseille, France, Samir learns the identity of Nathir and kills Nathir, Fareed, and when Omar is about to kill him, he tells that he switched the bombers' emails and he placed them all on the same bus so all of them died without victims. Canadian police, with the FBI, breaks in and kills Omar and injures Samir.

Later, under an El bridge in Chicago, Samir tells Agent Clayton he feels guilty for killing innocent people. Samir tells Clayton that the Qur'an says that to kill an innocent person is to kill all mankind. Clayton responds by noting that the Qur'an also says that by saving an innocent person, he has saved all mankind, and tells Samir he is a hero.

 

 3.

Traitor (Jeffrey Nachmanoff, 2008)

Struggling against itself and its own genre limitations, Traitor ends up ensnared in its own contradictions. It’s a confounding film, at once seeming to want to appeal to the viewer as both fresh and familiar. Traitor adheres to the formulas and sequences of well-established genres including the prisoner sequence, spy and action movie clichés, even the revenge storyline…

 

 

 

 but implanted in a politically current plot about a potential suicide bomber and attack on U.S. soil. That should have been relevant and hot topic enough to forego the usual by-the-numbers trappings, but there’s so much retread in the script, so much that’s been done before, that it leaves little hope for star Don Cheadle (himself a refreshing choice as an action star) to save it.

 

 

 

 Cheadle does his best Bourne imitation, quite convincingly coming across as the smartest man in the room, and even wills some of these set pieces into working far and away better than they should. But the film is submarined by its own unwillingness to take untraveled paths. Every action sequence has been done before, and better. Every relationship seems like repeats. In the end, it’s just all so uniquely… conventional.

THANX-ALL NET WORKS, ALL CINEMA BLOGS

 டிஸ்கி - நான் 2 படங்களையும் பார்க்கலை, பார்க்காமயே அது பத்தி எப்படி பேசலாம்?னு கேட்கறவங்களுக்கு , கடவுளைக்கூட பார்த்ததில்லை, அது பற்றி நாம விவாதிப்பது இல்லையா?